UNDERWATER PHOTOGRAPHY

Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving, but can be done while diving on surface supply, snorkeling, swimming, from a submersible or remotely operated underwater vehicle, or from automated cameras lowered from the surface.
Underwater photography can also be categorised as an art form and a method for recording data.

Successful underwater imaging is usually done with specialized equipment and techniques. However, it offers exciting and rare photographic opportunities. Animals such as fish and marine mammals are common subjects, but photographers also pursue shipwrecks, submerged cave systems, underwater “landscapes”, invertebrates, seaweeds, geological features, and portraits of fellow divers.

The primary obstacle faced by underwater photographers is the loss of color and contrast when submerged to any significant depth. The longer wavelengths of sunlight (such as red or orange) are absorbed quickly by the surrounding water, so even to the naked eye everything appears blue-green in color. The loss of color not only increases vertically through the water column, but also horizontally, so subjects further away from the camera will also appear colorless and indistinct. This effect is true even in apparently clear water, such as that found around tropical coral reefs.

Underwater photographers solve this problem by combining two techniques. The first is to get the camera as close to the photographic subject as possible, minimizing the horizontal loss of color. Wide-angle lenses allow very close focus, or macro lenses, where the subject is often only inches away from the camera. Many serious underwater photographers consider any more than about 3 ft/1 m of water between camera and subject to be unacceptable. The second technique is the use of flash to restore any colour lost vertically through the water column. Fill flash, used effectively, will “paint” in any missing colors by providing full-spectrum visible light to the overall exposure.

Another environmental effect is range of visibility. The water is seldom optimally clear, and the dissolved and suspended matter can reduce visibility by both absorption and scattering of light.

Since underwater photography is often performed while scuba diving, it is important that the diver-photographer be sufficiently skilled so that it remains a reasonably safe activity. Good scuba technique also has an impact on the quality of images, since marine life is less likely to be scared away by a calm diver, and the environment is less likely to be damaged or disturbed. There is the possibility of encountering poor conditions, such as heavy currents, tidal flow, or poor visibility.

Underwater photographers usually try to avoid these situations whenever possible. Underwater diving training providers provides courses to help improve a divers diving skills and underwater photography skills.

 

RELATED CONFERENCE TOPICS

Peter Symes
Peter Symes
Editor of X-Ray Mag
TOPIC : How to get published – what are editors looking for?
DATE / TIME :
LOCATION :

Do you want to become a dive journalist or write for an audience? What is communication? This presentation gives an overview on how to put compelling stories together, what main considerations to make when communicating to the public and the requirements to meet in order to get published. We will touch on how to structure narratives, word-smithing techniques and conventions to be observed – and some checklists will be presented. While the focus will be on composing magazine and website articles, requirements and do and don’ts
TOPIC : What makes up a winning image?
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How do competition judges or editors assess photos? In this presentation I will go through the process of judging images and through examples from past competitions explain what made some images fail and others pass. I will go over some groundrules and general requirements for submissions to media. At the end of session critique and feedback is offered so bring a couple of images on a memory stick.

larry cohen
Larry Cohen
Professional Photographer
TOPIC : Photography in a Coldwater Wonderland
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When most people go diving they head to warm blue-water. But coldwater dive destinations have a great deal to offer. Larry will show images documenting coldwater marine-life and shipwrecks. He will also talk about problems shooting in the coldwater environment and how to handle them.
TOPIC : Photography with compact cameras
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jason isley
Jason Isley
Managing Director of Scubazoo
(Professional Photographer)
TOPIC : Making underwater filming a career
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TOPIC : Introduction to underwater photography
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